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	<id>http://infomercantile.com/index.php?action=history&amp;feed=atom&amp;title=Burnette_G_Pletan%2C_World%27s_Fastest_Artist</id>
	<title>Burnette G Pletan, World's Fastest Artist - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://infomercantile.com/index.php?action=history&amp;feed=atom&amp;title=Burnette_G_Pletan%2C_World%27s_Fastest_Artist"/>
	<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;action=history"/>
	<updated>2026-06-13T07:10:59Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.34.2</generator>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=4297&amp;oldid=prev</id>
		<title>AzraelBrown: /* Value */</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=4297&amp;oldid=prev"/>
		<updated>2020-10-27T16:40:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Value&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:40, 27 October 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot; &gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since I wrote an article featuring Pletan for Collector's Quest&amp;lt;ref&amp;gt;[http://www.collectorsquest.com/blog/2006/06/22/art-on-the-outside/ &amp;quot;Art on the Outside&amp;quot;], Derek Dahlsad, '''Collector's Quest''', 6/22/2006.&amp;lt;/ref&amp;gt;, I'm often asked what the value of a Pletan work is.   Pletan claimed numerous times&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;/&amp;gt; to have painted over 100,000 works in his sixty years, so his paintings are not overly-rare, but their reputation (sometimes deserved) as 'starving artist' paintings reduces their overall value.   One painting I own was purchased directly from Pletan in the 1980s by my great-uncle, but I'm not sure how much he paid;  the other two were purchased at a garage-sale for next-to-nothing.   Sellers on eBay and elsewhere have asked for several hundred dollars for large framed Pletan paintings, but they do not appear to have sold at that price.  I'd expect, as of fall, 2007, the smaller works to sell for $20-$50, larger one for $70-$150.  In my opinion, these prices are low for an original work by a recognized (although obscure) artist, but demand is low and the paintings are not particularly rare.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since I wrote an article featuring Pletan for Collector's Quest&amp;lt;ref&amp;gt;[http://www.collectorsquest.com/blog/2006/06/22/art-on-the-outside/ &amp;quot;Art on the Outside&amp;quot;], Derek Dahlsad, '''Collector's Quest''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(site down)&lt;/ins&gt;, 6/22/2006. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[http://www.inherited-values.com/2020/10/art-on-the-outside-collecting-pletan/ mirror]&lt;/ins&gt;&amp;lt;/ref&amp;gt;, I'm often asked what the value of a Pletan work is.   Pletan claimed numerous times&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;/&amp;gt; to have painted over 100,000 works in his sixty years, so his paintings are not overly-rare, but their reputation (sometimes deserved) as 'starving artist' paintings reduces their overall value.   One painting I own was purchased directly from Pletan in the 1980s by my great-uncle, but I'm not sure how much he paid;  the other two were purchased at a garage-sale for next-to-nothing.   Sellers on eBay and elsewhere have asked for several hundred dollars for large framed Pletan paintings, but they do not appear to have sold at that price.  I'd expect, as of fall, 2007, the smaller works to sell for $20-$50, larger one for $70-$150.  In my opinion, these prices are low for an original work by a recognized (although obscure) artist, but demand is low and the paintings are not particularly rare.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2371&amp;oldid=prev</id>
		<title>AzraelBrown at 02:44, 4 October 2007</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2371&amp;oldid=prev"/>
		<updated>2007-10-04T02:44:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:44, 4 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Burnette-Pletan-1988.jpg|right|thumb|220px|Burnette G Pletan, in 1988]]'''Burnette Pletan''' ''(playt-un)'' b.8/24/1910 - d.3/21/1991&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/del&gt;, the self-styled &amp;quot;Fastest Painter in the World&amp;quot;.    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Burnette-Pletan-1988.jpg|right|thumb|220px|Burnette G Pletan, in 1988]]'''Burnette Pletan''' ''(playt-un)'' b.8/24/1910 - d.3/21/1991, the self-styled &amp;quot;Fastest Painter in the World&amp;quot;.    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan started painting in 1932 after an artist visited his parent's farm, and Pletan decided he could be a painter himself.  Self-taught, Pletan said (or possibly joked) that when he started painting he did not know that artists had special brushes, so he used regular house-painting brushes for his art.&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;&amp;gt;[http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint], YouTube (actual creator unknown), retrieved 10/2/2007.&amp;lt;/ref&amp;gt;   Whether a joke or not, that style of brush was the implement Pletan used the most, as demonstrated in two videos in the 1980s:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan started painting in 1932 after an artist visited his parent's farm, and Pletan decided he could be a painter himself.  Self-taught, Pletan said (or possibly joked) that when he started painting he did not know that artists had special brushes, so he used regular house-painting brushes for his art.&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;&amp;gt;[http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint], YouTube (actual creator unknown), retrieved 10/2/2007.&amp;lt;/ref&amp;gt;   Whether a joke or not, that style of brush was the implement Pletan used the most, as demonstrated in two videos in the 1980s:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2370&amp;oldid=prev</id>
		<title>AzraelBrown at 02:43, 4 October 2007</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2370&amp;oldid=prev"/>
		<updated>2007-10-04T02:43:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:43, 4 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot; &gt;Line 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:People]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:People&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|Pletan, Burnette&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2368&amp;oldid=prev</id>
		<title>AzraelBrown at 02:39, 4 October 2007</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2368&amp;oldid=prev"/>
		<updated>2007-10-04T02:39:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:39, 4 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:People]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2355&amp;oldid=prev</id>
		<title>AzraelBrown: /* Signature */</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2355&amp;oldid=prev"/>
		<updated>2007-10-03T00:39:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Signature&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:39, 3 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Signature==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Signature==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All Pletan's paintings I've seen, his signature is quite large, in one of the lower corners, and is drawn &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with &lt;/del&gt;the blunt end of a paintbrush.   If the painting had already dried, Pletan would add a smear of fresh paint to scratch his name in.  The format is always &amp;quot;Pletan (year)&amp;quot;, making his artwork and its year of creation extremely easy to determine. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All Pletan's paintings I've seen, his signature is quite large, in one of the lower corners, and is drawn &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;by dragging &lt;/ins&gt;the blunt end of a paintbrush &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;through wet paint&lt;/ins&gt;.   If the painting had already dried, Pletan would add a smear of fresh paint to scratch his name in.  The format is always &amp;quot;Pletan (year)&amp;quot;, making his artwork and its year of creation extremely easy to determine.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2354&amp;oldid=prev</id>
		<title>AzraelBrown at 00:25, 3 October 2007</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2354&amp;oldid=prev"/>
		<updated>2007-10-03T00:25:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:25, 3 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan painted for sixty years, his style varying only slightly over &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the years&lt;/del&gt;.   Travelling the country, he sold his works everywhere, painting them on the spot and selling them barely dry.  He gained enough notariety to have works commissioned for the likes of the Paul Harvey and the King of Norway.&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;&amp;gt;[http://missioncreep.com/tiLT/pletan.html Burnette G. Pletan, Fastest Artist in the World], B. Amundson, ExpressoTILT!, retrieved 10/2/2007.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan painted for sixty years, his style varying only slightly over &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;time&lt;/ins&gt;.   Travelling the country, he sold his works everywhere, painting them on the spot and selling them barely dry.  He gained enough notariety to have works commissioned for the likes of the Paul Harvey and the King of Norway.&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;&amp;gt;[http://missioncreep.com/tiLT/pletan.html Burnette G. Pletan, Fastest Artist in the World], B. Amundson, ExpressoTILT!, retrieved 10/2/2007.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Family==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Family==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2353&amp;oldid=prev</id>
		<title>AzraelBrown at 00:24, 3 October 2007</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2353&amp;oldid=prev"/>
		<updated>2007-10-03T00:24:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:24, 3 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Burnette-Pletan-1988.jpg|right|thumb|220px|Burnette G Pletan, in 1988]]'''Burnette Pletan''' ''(playt-un)'' b.8/24/1910 - d.3/21/1991), the self-styled &amp;quot;Fastest Painter in the World&amp;quot;.    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Burnette-Pletan-1988.jpg|right|thumb|220px|Burnette G Pletan, in 1988]]'''Burnette Pletan''' ''(playt-un)'' b.8/24/1910 - d.3/21/1991), the self-styled &amp;quot;Fastest Painter in the World&amp;quot;.    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan started painting in 1932 after an artist visited his parent's farm, and Pletan decided he could be a painter himself.  Self-taught, Pletan said (or possibly joked) that when he started painting he did not know that artists had special brushes, so he used regular house-painting brushes for his art.&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;&amp;gt;[http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint], &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;uploaded to &lt;/del&gt;YouTube, retrieved 10/2/2007.&amp;lt;/ref&amp;gt;   Whether a joke or not, that style of brush was the implement Pletan used the most, as demonstrated in two videos in the 1980s:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan started painting in 1932 after an artist visited his parent's farm, and Pletan decided he could be a painter himself.  Self-taught, Pletan said (or possibly joked) that when he started painting he did not know that artists had special brushes, so he used regular house-painting brushes for his art.&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;&amp;gt;[http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint], YouTube &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(actual creator unknown)&lt;/ins&gt;, retrieved 10/2/2007.&amp;lt;/ref&amp;gt;   Whether a joke or not, that style of brush was the implement Pletan used the most, as demonstrated in two videos in the 1980s:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=mp46NbF0Ybc Pletan on &amp;quot;65 and over&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=mp46NbF0Ybc Pletan on &amp;quot;65 and over&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan painted for sixty years, his style varying only slightly over the years.   Travelling the country, he sold his works everywhere, painting them on the spot and selling them barely dry.  He gained enough notariety to have works commissioned for the likes of the Paul Harvey and the King of Norway.&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;&amp;gt;[http://missioncreep.com/tiLT/pletan.html Burnette G. Pletan, Fastest Artist in the World], B. Amundson, ExpressoTILT!, retrieved 10/2/2007.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan painted for sixty years, his style varying only slightly over the years.   Travelling the country, he sold his works everywhere, painting them on the spot and selling them barely dry.  He gained enough notariety to have works commissioned for the likes of the Paul Harvey and the King of Norway.&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;&amp;gt;[http://missioncreep.com/tiLT/pletan.html Burnette G. Pletan, Fastest Artist in the World], B. Amundson, ExpressoTILT!, retrieved 10/2/2007.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* In later works, day-glo spraypaint.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* In later works, day-glo spraypaint.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's style largely involves mixing several colors on a single wide-bristled paintbrush and drawing lines and smears on a Masonite backing, mixing the color as he goes.   The thick brushstrokes and heavy application of paint makes for a exaggerated texture on his 'canvas', and the lack of working the paint (mostly due to the fast-[[Image:Burnette-Pletan%27s-Winnebago.jpg|left|220px|thumb|Pletan's travelling studio, circa 1980.]]drying acrylic paints) creates &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;fluid motion in his art.   The style is amateurish compared to finer art, looking somewhat like a student of the Bob Ross school of art but painted with a 4&amp;quot; brush held in the fist.  Still, Pletan's art has an certain &amp;quot;outsider art&amp;quot; appeal, as his style is immediately recognizeable, and his 'how to' video has taught imitators his craft.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's style largely involves mixing several colors on a single wide-bristled paintbrush and drawing lines and smears on a Masonite backing, mixing the color as he goes.   The thick brushstrokes and heavy application of paint makes for a exaggerated texture on his 'canvas', and the lack of working the paint (mostly due to the fast-[[Image:Burnette-Pletan%27s-Winnebago.jpg|left|220px|thumb|Pletan's travelling studio, circa 1980.]]drying acrylic paints) creates &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;an expressionistic &lt;/ins&gt;fluid motion in his art.   The style is amateurish compared to finer art, looking somewhat like a student of the Bob Ross school of art but painted with a 4&amp;quot; brush held in the fist.  Still, Pletan's art has an certain &amp;quot;outsider art&amp;quot; appeal, as his style is immediately recognizeable, and his 'how to' video has taught imitators his craft.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's artwork relies on a few standard vignettes, usually a mountain lake, a snowy mountain pass, or a desert river.   Nearly all include some sort of fauna, mostly deer but occasionally a person.  By not expanding his repetoire of subjects, Pletan's art was a rote process with creative flairs on a smaller scale, such as the positioning of trees and deer.   This makes his various paintings almost indistinguishable, except for close scrutiny of the small details.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's artwork relies on a few standard vignettes, usually a mountain lake, a snowy mountain pass, or a desert river.   Nearly all include some sort of fauna, mostly deer but occasionally a person.  By not expanding his repetoire of subjects, Pletan's art was a rote process with creative flairs on a smaller scale, such as the positioning of trees and deer.   This makes his various paintings almost indistinguishable, except for close scrutiny of the small details.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By reducing brushstrokes to a minimum and sticking to familiar subjects, Pletan was able to produce paintings at a breakneck speed, from five to ten minutes for an average sized (around 16&amp;quot; x 24&amp;quot;) painting.   The size of Pletan's paintings depended only on the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;size &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;his &lt;/del&gt;canvases, which resulted in his paintings &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;to be &lt;/del&gt;almost universally non-standard in size.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By reducing brushstrokes to a minimum and sticking to familiar subjects, Pletan was able to produce paintings at a breakneck speed, from five to ten minutes for an average sized (around 16&amp;quot; x 24&amp;quot;) painting.   The size of Pletan's paintings depended only on the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;miscellaneous cuts &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Masonite &lt;/ins&gt;canvases, which resulted in his paintings &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;being &lt;/ins&gt;almost universally non-standard in size.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Pletan's earlier works contained greater detail than his later works, due to his deteriorating coordination.   Later works are 'messier,' due to shaky hands, but retained his signature style of painting.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==Signature==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;All Pletan's paintings I've seen, his signature is quite large, in one of the lower corners, and is drawn with the blunt end of a paintbrush.   If the painting had already dried, Pletan would add a smear of fresh paint to scratch his name in.  The format is always &amp;quot;Pletan (year)&amp;quot;, making his artwork and its year of creation extremely easy to determine.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since I wrote an article featuring Pletan for Collector's Quest&amp;lt;ref&amp;gt;[http://www.collectorsquest.com/blog/2006/06/22/art-on-the-outside/ &amp;quot;Art on the Outside&amp;quot;], Derek Dahlsad, '''Collector's Quest''', 6/22/2006.&amp;lt;/ref&amp;gt;, I'm often asked what the value of a Pletan work is.   Pletan claimed numerous times&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;/&amp;gt; to have painted over 100,000 works in his sixty years, so his paintings are not overly-rare, but their reputation (sometimes deserved) as 'starving artist' paintings reduces their overall value.   One painting I own was purchased directly from Pletan in the 1980s by my great-uncle, but I'm not sure how much he paid;  the other two were purchased at a garage-sale for next-to-nothing.   Sellers on eBay and elsewhere have asked for several hundred dollars for large framed Pletan paintings, but they do not appear to have sold at that price.  I'd expect the smaller works to sell for $20-$50, larger one for $70-$&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;100&lt;/del&gt;.  In my opinion, these prices are low for an original work by a recognized (although obscure) artist, but demand is low and the paintings are not particularly rare.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since I wrote an article featuring Pletan for Collector's Quest&amp;lt;ref&amp;gt;[http://www.collectorsquest.com/blog/2006/06/22/art-on-the-outside/ &amp;quot;Art on the Outside&amp;quot;], Derek Dahlsad, '''Collector's Quest''', 6/22/2006.&amp;lt;/ref&amp;gt;, I'm often asked what the value of a Pletan work is.   Pletan claimed numerous times&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;/&amp;gt; to have painted over 100,000 works in his sixty years, so his paintings are not overly-rare, but their reputation (sometimes deserved) as 'starving artist' paintings reduces their overall value.   One painting I own was purchased directly from Pletan in the 1980s by my great-uncle, but I'm not sure how much he paid;  the other two were purchased at a garage-sale for next-to-nothing.   Sellers on eBay and elsewhere have asked for several hundred dollars for large framed Pletan paintings, but they do not appear to have sold at that price.  I'd expect&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, as of fall, 2007, &lt;/ins&gt;the smaller works to sell for $20-$50, larger one for $70-$&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;150&lt;/ins&gt;.  In my opinion, these prices are low for an original work by a recognized (although obscure) artist, but demand is low and the paintings are not particularly rare.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2351&amp;oldid=prev</id>
		<title>AzraelBrown: Burnette G Pletan, Fastest Artist In The World moved to Burnette G Pletan, World's Fastest Artist: The title belonged to another article on Pletan, but this name comes from the side of his Winnebago, circa 1980.</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2351&amp;oldid=prev"/>
		<updated>2007-10-03T00:09:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;a href=&quot;/-/Burnette_G_Pletan,_Fastest_Artist_In_The_World&quot; class=&quot;mw-redirect&quot; title=&quot;Burnette G Pletan, Fastest Artist In The World&quot;&gt;Burnette G Pletan, Fastest Artist In The World&lt;/a&gt; moved to &lt;a href=&quot;/-/Burnette_G_Pletan,_World%27s_Fastest_Artist&quot; title=&quot;Burnette G Pletan, World&amp;#039;s Fastest Artist&quot;&gt;Burnette G Pletan, World&amp;#039;s Fastest Artist&lt;/a&gt;: The title belonged to another article on Pletan, but this name comes from the side of his Winnebago, circa 1980.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:09, 3 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2350&amp;oldid=prev</id>
		<title>AzraelBrown at 00:07, 3 October 2007</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2350&amp;oldid=prev"/>
		<updated>2007-10-03T00:07:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:07, 3 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* In later works, day-glo spraypaint.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* In later works, day-glo spraypaint.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's style largely involves mixing several colors on a single wide-bristled paintbrush and drawing lines and smears on a Masonite backing, mixing the color as he goes.   The thick brushstrokes and heavy application of paint makes for a exaggerated texture on his 'canvas', and the lack of working the paint (mostly due to the fast-[Image:Burnette-Pletan%27s-Winnebago.jpg|left|220px|thumb|Pletan's travelling studio, circa 1980.]]drying acrylic paints) creates a fluid motion in his art.   The style is amateurish compared to finer art, looking somewhat like a student of the Bob Ross school of art but painted with a 4&amp;quot; brush held in the fist.  Still, Pletan's art has an certain &amp;quot;outsider art&amp;quot; appeal, as his style is immediately recognizeable, and his 'how to' video has taught imitators his craft.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's style largely involves mixing several colors on a single wide-bristled paintbrush and drawing lines and smears on a Masonite backing, mixing the color as he goes.   The thick brushstrokes and heavy application of paint makes for a exaggerated texture on his 'canvas', and the lack of working the paint (mostly due to the fast-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[&lt;/ins&gt;[Image:Burnette-Pletan%27s-Winnebago.jpg|left|220px|thumb|Pletan's travelling studio, circa 1980.]]drying acrylic paints) creates a fluid motion in his art.   The style is amateurish compared to finer art, looking somewhat like a student of the Bob Ross school of art but painted with a 4&amp;quot; brush held in the fist.  Still, Pletan's art has an certain &amp;quot;outsider art&amp;quot; appeal, as his style is immediately recognizeable, and his 'how to' video has taught imitators his craft.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's artwork relies on a few standard vignettes, usually a mountain lake, a snowy mountain pass, or a desert river.   Nearly all include some sort of fauna, mostly deer but occasionally a person.  By not expanding his repetoire of subjects, Pletan's art was a rote process with creative flairs on a smaller scale, such as the positioning of trees and deer.   This makes his various paintings almost indistinguishable, except for close scrutiny of the small details.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's artwork relies on a few standard vignettes, usually a mountain lake, a snowy mountain pass, or a desert river.   Nearly all include some sort of fauna, mostly deer but occasionally a person.  By not expanding his repetoire of subjects, Pletan's art was a rote process with creative flairs on a smaller scale, such as the positioning of trees and deer.   This makes his various paintings almost indistinguishable, except for close scrutiny of the small details.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
	<entry>
		<id>http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2349&amp;oldid=prev</id>
		<title>AzraelBrown at 00:06, 3 October 2007</title>
		<link rel="alternate" type="text/html" href="http://infomercantile.com/index.php?title=Burnette_G_Pletan,_World%27s_Fastest_Artist&amp;diff=2349&amp;oldid=prev"/>
		<updated>2007-10-03T00:06:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:06, 3 October 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Burnette-Pletan-1988.jpg|right|thumb|220px|Burnette G Pletan, in 1988]]'''Burnette Pletan''' ''(playt-un)'' b.8/24/1910 - d.3/21/1991), the self-styled &amp;quot;Fastest Painter in the World&amp;quot;.    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:Burnette-Pletan-1988.jpg|right|thumb|220px|Burnette G Pletan, in 1988]]'''Burnette Pletan''' ''(playt-un)'' b.8/24/1910 - d.3/21/1991), the self-styled &amp;quot;Fastest Painter in the World&amp;quot;.    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan started painting in 1932 after an artist visited his parent's farm, and Pletan decided he could be a painter himself.  Self-taught, Pletan said (or possibly joked) that when he started painting he did not know that artists had special brushes, so he used regular house-painting brushes for his art.   Whether a joke or not, that style of brush was the implement Pletan used the most, as demonstrated in two videos in the 1980s:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan started painting in 1932 after an artist visited his parent's farm, and Pletan decided he could be a painter himself.  Self-taught, Pletan said (or possibly joked) that when he started painting he did not know that artists had special brushes, so he used regular house-painting brushes for his art.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;&amp;gt;[http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint], uploaded to YouTube, retrieved 10/2/2007.&amp;lt;/ref&amp;gt; &lt;/ins&gt;  Whether a joke or not, that style of brush was the implement Pletan used the most, as demonstrated in two videos in the 1980s:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=mp46NbF0Ybc Pletan on &amp;quot;65 and over&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=mp46NbF0Ybc Pletan on &amp;quot;65 and over&amp;quot;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* In later works, day-glo spraypaint.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* In later works, day-glo spraypaint.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's style largely involves mixing several colors on a single wide-bristled paintbrush and drawing lines and smears on a Masonite backing, mixing the color as he goes.   The thick brushstrokes and heavy application of paint makes for a exaggerated texture on his 'canvas', and the lack of working the paint (mostly due to the fast-drying acrylic paints) creates a fluid motion in his art.   The style is amateurish compared to finer art, looking somewhat like a student of the Bob Ross school of art but painted with a 4&amp;quot; brush held in the fist.  Still, Pletan's art has an certain &amp;quot;outsider art&amp;quot; appeal, as his style is immediately recognizeable, and his 'how to' video has taught imitators his craft.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's style largely involves mixing several colors on a single wide-bristled paintbrush and drawing lines and smears on a Masonite backing, mixing the color as he goes.   The thick brushstrokes and heavy application of paint makes for a exaggerated texture on his 'canvas', and the lack of working the paint (mostly due to the fast-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[Image:Burnette-Pletan%27s-Winnebago.jpg|left|220px|thumb|Pletan's travelling studio, circa 1980.]]&lt;/ins&gt;drying acrylic paints) creates a fluid motion in his art.   The style is amateurish compared to finer art, looking somewhat like a student of the Bob Ross school of art but painted with a 4&amp;quot; brush held in the fist.  Still, Pletan's art has an certain &amp;quot;outsider art&amp;quot; appeal, as his style is immediately recognizeable, and his 'how to' video has taught imitators his craft.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's artwork relies on a few standard vignettes, usually a mountain lake, a snowy mountain pass, or a desert river.   Nearly all include some sort of fauna, mostly deer but occasionally a person.  By not expanding his repetoire of subjects, Pletan's art was a rote process with creative flairs on a smaller scale, such as the positioning of trees and deer.   This makes his various paintings almost indistinguishable, except for close scrutiny of the small details.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pletan's artwork relies on a few standard vignettes, usually a mountain lake, a snowy mountain pass, or a desert river.   Nearly all include some sort of fauna, mostly deer but occasionally a person.  By not expanding his repetoire of subjects, Pletan's art was a rote process with creative flairs on a smaller scale, such as the positioning of trees and deer.   This makes his various paintings almost indistinguishable, except for close scrutiny of the small details.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot; &gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Value==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since I wrote an article featuring Pletan for Collector's Quest&amp;lt;ref&amp;gt;[http://www.collectorsquest.com/blog/2006/06/22/art-on-the-outside/ &amp;quot;Art on the Outside&amp;quot;], Derek Dahlsad, '''Collector's Quest''', 6/22/2006.&amp;lt;/ref&amp;gt;, I'm often asked what the value of a Pletan work is.   Pletan claimed numerous times&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;gt;[http:&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;/www.youtube.com/watch?v=h-rLP6d7CNU Pletan performing a very entertaining 'Bob-Ross' style how-to-paint], uploaded to YouTube, retrieved 10/2/2007.&amp;lt;/ref&lt;/del&gt;&amp;gt; to have painted over 100,000 works in his sixty years, so his paintings are not overly-rare, but their reputation (sometimes deserved) as 'starving artist' paintings reduces their overall value.   One painting I own was purchased directly from Pletan in the 1980s by my great-uncle, but I'm not sure how much he paid;  the other two were purchased at a garage-sale for next-to-nothing.   Sellers on eBay and elsewhere have asked for several hundred dollars for large framed Pletan paintings, but they do not appear to have sold at that price.  I'd expect the smaller works to sell for $20-$50, larger one for $70-$100.  In my opinion, these prices are low for an original work by a recognized (although obscure) artist, but demand is low and the paintings are not particularly rare.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since I wrote an article featuring Pletan for Collector's Quest&amp;lt;ref&amp;gt;[http://www.collectorsquest.com/blog/2006/06/22/art-on-the-outside/ &amp;quot;Art on the Outside&amp;quot;], Derek Dahlsad, '''Collector's Quest''', 6/22/2006.&amp;lt;/ref&amp;gt;, I'm often asked what the value of a Pletan work is.   Pletan claimed numerous times&amp;lt;ref name=&amp;quot;expressotilt&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;howtovideo&amp;quot;/&amp;gt; to have painted over 100,000 works in his sixty years, so his paintings are not overly-rare, but their reputation (sometimes deserved) as 'starving artist' paintings reduces their overall value.   One painting I own was purchased directly from Pletan in the 1980s by my great-uncle, but I'm not sure how much he paid;  the other two were purchased at a garage-sale for next-to-nothing.   Sellers on eBay and elsewhere have asked for several hundred dollars for large framed Pletan paintings, but they do not appear to have sold at that price.  I'd expect the smaller works to sell for $20-$50, larger one for $70-$100.  In my opinion, these prices are low for an original work by a recognized (although obscure) artist, but demand is low and the paintings are not particularly rare.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AzraelBrown</name></author>
		
	</entry>
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